KieranTimberlake's innovative, energy efficient studio was recently cited by Penelope Green in The New York Times article, “Do Americans Need Air-Conditioning?” Green's story comments on the paradox of overcooled spaces during the summer months, and highlights our passive cooling experiment in which we eschewed air-conditioning for the entire summer of 2015. Instead, we relied on fans, open windows, dehumidifiers, and a nighttime flushing system that exhausted hotter air that accumulated during the day and replaced it with cooler evening air. While we ultimately installed an air-conditioner the following summer, as Green notes, our studio is as “a model of energy efficiency” thanks to our mixed mode operation.
Also mentioned in the article is Roast, a comfort survey app developed by our affiliate company KT Innovations. As its name implies, Roast was born from our building manager's efforts to keep the office comfortable during our 2015 summer experiment. The first iterations ultimately led to a relaxed dress code, flexible work hours that avoided the afternoon heat, and additional fans. Over time, the survey evolved to collect feedback not only on temperature and humidity, but also brightness, noise levels, smells, cleanliness, productivity, and more.
Three months after architecture writer Witold Rybczynski outlined our journey to achieve passive comfort amidst Philadelphia's hot, muggy summers, we are proud to announce that Roast, the latest software application development project from KT Innovations, has been officially released for external beta testing.
Designed to ease the process of conducting post-occupancy evaluations, Roast is a web-based survey app that captures how people experience their space. Created with ASHRAE standards in mind, Roast measures comfort using a range of factors including temperature, humidity, personal activity level, air quality and movement, and visual and auditory stimulation. Survey administrators can include any or all of these questions in customized surveys and can filter and analyze results directly in the app. Since responses are tied to each participant's location, Roast also helps identify trends and pinpoint improvements.
KieranTimberlake's work on Wellesley College's Pendleton West was recently featured in Architectural Record. Written by Beth Broome, the article heralds the renovation and 10,000-square-foot addition as a prominent and accessible new gateway to Wellesley's historic Academic Quad. Though surrounded by predominantly brick buildings, Broome calls out Pendleton's concrete facade as a way to “help the building assert itself as a portal through its distinctiveness while subtly nodding to the [neighboring Rudolph and Klauder-designed] buildings, with their recast and limestone copings and trims,” adding that the precast and cast-in-place concrete panels “give the exterior a rich tactility.”
The US Embassy in London was recently featured on the art and design website Artsy. Listed alongside such striking works as the Ghana National Museum of Slavery and Rio de Janeiro's Museum of Image and Sound, the embassy was named cited as one of the buildings that will “define architecture in 2017.” Writer Anna Kats praises the embassy's unique and transparent polymer-clad cube exterior that “rejects the fortress-like designs of so many other American embassies,” noting that this design results in a building that “interacts with and is semipermeable to the densely populated surrounding neighborhood while maintaining the necessary standards of high security.”
This past December, a new documentary examining the work of late architectural legend Eero Saarinen aired in the American Masters series on PBS. KieranTimberlake was proud to sponsor the production of this exciting film. Eero Saarinen: The Architect Who Saw the Future examines some of Saarinen's most iconic work, including the Gateway Arch in St. Louis, the TWA Terminal in New York City, and the David S. Ingalls Rink in New Haven. Having completed the renovation and expansion of Morse and Ezra Stiles Colleges which were among Saarinen's last works, KieranTimberlake is doubly inspired by this film.
A story about KieranTimberlake's design for a new multi-use building for New York University recently appeared in the Wall Street Journal's real estate section. In the piece, “NYU Expansion Aims to Make School More Inclusive,” reporter Josh Barbanel describes the design for 181 Mercer, a new 735,000-square-foot building that was unveiled to the University community on December 8, 2016. He outlines the history of the site and how the building meets NYU's mission, highlighting the ways in which the building ties itself to the surrounding community. In addition to a glass facade that visually links the building and neighborhood, 181 Mercer's footprint was shifted in order to create a landscaped pedestrian walkway through the block, bringing connectivity and life to a previously dark and gloomy landscape.
Pound Ridge House, a private residence located north of New York City in Westchester County, New York, was recently featured in the Spring 2016 edition of Dwell magazine. The article, written by Aileen Kwun, draws attention to the care KieranTimberlake took in ensuring that the residence's signature reflective exterior would not pose a threat to local birds.
During the design process, the team sought to create a home with an exterior that blended in with the wooded site and an interior that brought the beauty of the natural landscape indoors. Designers knew they could create this desired effect with a glass facade, but also understood that the home's reflective surface could pose a threat to birds that frequent the wooded site. The question then became how to harness the beauty and function of a glass exterior without impacting birds and wildlife.
In earlier studies completed in partnership with the manager of the American Bird Conservancy's Bird Collisions Campaign, KieranTimberlake learned that bird strikes happen most frequently with large, continuous reflective surfaces. By using smaller panels with different levels of reflectivity, bird strikes could be reduced significantly. Using this information, designers created a facade composed of multiple rectangular tiles made of glass, brushed stainless steel, polished stainless steel, and tin zinc-coated copper. The different sizes and reflectivity of these panels not only greatly reduce bird strikes. As Kwun writes, "the benefits are also aesthetic: With its unique facade, the home is both attuned to the landscape and private, filled with 'curated views.'"
Pointelist™, KieranTimberlake's wireless sensor network, was recently featured in Architect magazine. The article, written by Wanda Lau, is part of a series following up on past winners of the magazine's R+D Awards, which recognize research, materials, and technologies that have advanced the field of architecture.
Partner Stephen Kieran was a guest earlier this month on the Leonard Lopate Show on WNYC, New York City's NPR station. Focusing on his work with fellow partner James Timberlake on the Dhaka Design-Research Laboratory, Kieran discussed the challenges facing the city of Dhaka, Bangladesh, as well as the book inspired by their research, Alluvium: Dhaka, Bangladesh, in the Crossroads of Water.
Home to a population three times as dense as Manhattan and built on a constantly changing floodplain, Dhaka is one of the most extreme cities on earth. Kieran and Timberlake have been working with the University of Pennsylvania School of Design for nearly a decade in a research design studio that studies the relationship between the people of Dhaka and the various waterways that connect the city. Their research has culminated in their book Alluvium.
When asked about the book's title, Kieran stated that "we in the U.S. really think of land and water as very separate things. [Bangladeshis] as people don't have a sense of the otherness or separateness between land and water. They think of the two as one in the same. Hence the term "alluvium," which is land suspended in water."
Metropolis magazine selected KieranTimberlake as one of architecture and design's "Game Changers" for 2016. In the January issue, Pulitzer-prize winning journalist Inga Saffron describes the firm's commitment not only to environmentally-friendly construction, but also to research-driven approaches to design that take into account how sustainable buildings will be used. At the cornerstone of this approach is the firm's use of its own office space as a kind of living laboratory.
As an example, Saffron cites the firm's radical decision to forgo air conditioning in its office and engage its staff in an experiment to achieve comfort through strategies like natural ventilation. Within the studio, technologies such as a Wireless Sensor Network and a night air flushing system are developed, tested, and refined to provide feedback for the experiment and keep the building comfortable during the muggy Philadelphia summers. By acting as a guinea pig, the firm hopes to reduce its own energy use and develop innovative approaches to someday bring to clients.
Ultimately, KieranTimberlake wants to see a culture of building in which architects are invested as much in the long-term performance of a structure as its initial design and construction. In the words of Kieran, "a doctor doesn't just operate on a patient and say, 'Good luck.' Our bodies get checkups. So should our buildings."
Game Changers 2016: KieranTimberlake by Inga Saffron
It's a late November day in Philadelphia, with temperatures in the high 40s, and I'm sitting with architects Stephen Kieran and Billie Faircloth at a conference table in KieranTimberlake's soaring new offices in a former bottling plant. Faircloth wears a black trench coat pulled tight, her collar raised like a funnel to the edge of her short red bob. She's freezing. Kieran wears a light pullover. He's comfortable. I have on a loosely crocheted wool sweater. I'm a bit warm, but it's probably because I just biked over to see them.
It seems appropriate to start with the temperature and our various states of personal comfort, because the architects at KieranTimberlake are obsessed with the weather and the way it affects our design choices. On the roof of their building, a Weather Underground-registered weather station keeps a running tab on external conditions, while, on the floors below, some 400 sensors embedded amid the rows of desks collect data on the office microclimates. The details are routed to Faircloth's research group, which churns out charts, graphs, and other visualizations. Every Friday, the firm sends e-mail blasts to its 100 employees, advising them on clothing options for the next week. As summer set in last year, the staff was polled three times a day: Are you comfortable? Where are you seated? What are you wearing?